Check out work by indie cartoonists far and wide like M.S. Harkness, Emmi Gennis, Bob Corby, Bryan Moss and Nate McDonough.
https://www.facebook.com/events/173327348111457
Check out work by indie cartoonists far and wide like M.S. Harkness, Emmi Gennis, Bob Corby, Bryan Moss and Nate McDonough.
https://www.facebook.com/events/173327348111457
Even those not disposed to like slasher/zombie flicks may enjoy this mad romp about creatives doing the best they can with what limited talents and resources they possess.
One Cut of the Dead – Film Review Central
"Naruto's Ninja Handbook!" is a balancing act, both intimate and epic. In its first half, more of Gaara's back story is revealed: his attempts at learning about the concepts of love and pain from his aunt, Yashamaru, end in tragedy, cementing his psychological destiny. Meanwhile, the sand spirit Shukaku continues to achieve complete control of Gaara's bloated, morphing and ever growing body, requiring Naruto to summon help from the dubious (but equally large and powerful) pipe-smoking toad Gamabunta. This begins a battle of gargantuan proportions (taking place, fortunately, in a wooded area). Sasuke is still physically spent, Sakura is still trapped, and only Naruto and Gamabunta (and Gamabunta's mini-toad son, Gamakichi, literally along for the ride) have a chance at stopping the homicidal Gaara. This is amazing cartooning.
Loaded with copious footnotes, the book covers decades of Kirby being outspoken on his contributions. Because the scope of the book mainly covers what Kirby said, some evidence which would help confirm his beliefs isn't covered: Dr. Michael Vassallo's extensively researched chronological analysis of Stan Lee scripts, for example, shows conclusively that Lee's "creativity" began when Kirby rejoined Marvel in the late '50s, and mysteriously left Lee when Kirby quit Marvel for DC in 1970. Conversely, the book deals little with Lee's distinctive 1960s voice which, whether one enjoys it or not, was highly instrumental in creating a new jovial and audience-connecting informality in comics (compared to DC's straight-laced and patronizing editorial voice), but which is, again, outside the scope of this book.
The incident of Lee rejecting a Kirby Hulk story and the resultant output of Kirby in the month of March, 1963, is a fascinating connection and a new avenue to explore in the complex story of these two creators.
This fine collection of stories (centering on the early '60s) drawn by the multi-talented Harry Lucey is a great addition to IDW's Best Of Archie cartoonists series. Lucey was a master of frenetic body language, particularly pratfalls and deep kisses resulting in legs and feet propelled high in the air.
One 1961 story, "Dog's Best Friend", plays with the medium in a meta way, with characters commenting on and pulling at word balloons. The stories are funny and the reproduction of the art impeccable. The volume is topped off with an introduction by cartoonist Jaime Hernandez and an afterward by Lucey co-worker Victor Gorelick.
Recommended for a fun, carefree afternoon.
Congratulations to all the Ogre for this prestigious win! Read the article for details: https://www.dispatch.com/story/business/2021/07/29/laughing-ogre-wins-coveted-prize-comics-retailers/8093057002/