Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Sunday, September 24, 2023

Recently Read: Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece, by Michael Benson

Author Michael Benson saw 2001: a Space Odyssey, in its initial 1968 Cinemascope release, at around the same age I did, age 7. Viewers who saw the film at this age seem to have a special affinity for and wonderment of it. Youngsters, I believe, didn't approach the film with the same set of expectations older people did, expectations of plot logicity, character development, a requisite love interest subplot, etc. Instead, the young could concentrate on and most acutely appreciate what was on the screen: a mostly non-verbal, poetic and visionary presentation of philosophical ideas unprecedented in not only the genre of science fiction but in the entire history of cinema.

There have been many (and many good) books written on the amazing four years plus production of the film, but for an overview both insightful and intimate, Benson's book can't be beat. With access to archives and new and unpublished interviews with the creative staff, Benson unearths and reveals a deluge of details, anecdotes and background context which doesn't fail to fascinate from the first page to the last. You'll discover many entertaining stories about the production director Stanley Kubrick himself didn't and couldn't have known about. You'll also be amazed in new ways about the monumental scope of the project and the difficulties it overcame to reach its fruition.
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Thursday, December 22, 2022

The Incident, Reviewed on Film Review Central

 


I review Isaac Ezban's 2014 sci-fi thriller on Film Review Central: The Incident – Film Review Central

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Sunday, August 21, 2022

Destination Moon (1950), Reviewed on Film Review Central

 

Mix George Pal, Robert A. Heinlein and Woody Woodpecker and you get Destination Moon (1950), reviewed on Film Review Central: Destination Moon – Film Review Central

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Thursday, February 13, 2020

Recently Read: The Island of Dr. Moreau, by H.G. Wells



Reading his novels in the order they were written, H.G. Wells continues to amaze me. The Island of Dr. Moreau is not much like Wells' first novel, The Time Machine, and nothing like his second, The Wonderful Visit (although all three trod new ground in science fiction concepts). Dr. Moreau is the most morose of the three, chilling and nightmarish. Told by the last survivor of an island-bound, surreptitious medical lab, the book continues Wells' extrapolations of Darwinian theory; it's part suspense novel and part social commentary. The god-like Dr. Moreau's attempts to mutate animals to more closely mimic humans physically and intellectually seems far-fetched, but the basic sped-up-evolution is still being used in science fiction today (in both of the Planet of the Apes film series, for example).

The new Penguin Classics edition features helpful annotations, a comprehensive reference guide for future reading, a note on the varying texts over the decades, and a very insightful introduction by novelist Margaret Atwood. Her different ways of viewing the novel and interpreting its symbolism will make you rethink your earlier views of the work.
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Thursday, January 9, 2020

A Logo I Finished for the Upcoming Pulp Fiction Convention


Details here: https://www.facebook.com/events/456209531738071/
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Saturday, April 29, 2017

H.G. Wells Books I'm Looking Forward to Reading







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Thursday, July 10, 2014

Lot of 16 Sci-fi Digest Mags from 1952 - 1979, from the Neno Archives: $35 PPD.







































PayPal accepted! Conditions range from Fair (reading copy) to Very Fine. Average condition: Good+. Authors include Asimov, Clarke, Farmer, Edmund Hamilton, Poul Anderson, Larry Niven, Ben Bova, and much more. mneno@columbus.rr.com

Illustrators include Virgil Finlay, Kaluta, Dan Adkins, many more.

Books include:
Analog - Sept., 1970 (Cover worn/Good); July 1976 (Cover worn/Good)

Fantastic - Dec. 1968 (Good)

Galaxy - May, 1972 (Good); Sept., 1972 (Fine); Nov., 1973 (Fine); Dec., 1973 (tape across cover/reading copy); Sept., 1974 (Good); Nov. , 1974 (Very Fine); Sept., 1975 (Good); Sept./Oct. 1979 (small tear in cover/Fair)

Other Worlds - Aug., 1952 (two copies) (Good)

Science Fiction Adventures Yearbook 1970 (Fine)

Space Adventures - 1970, Spring (Very Fine)

Thrilling Science Fiction - April, 1974/All Virgil Finlay issue (Fair)
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Sunday, May 25, 2014

Recently Read: The Time Machine, by H.G. Wells, Norton Critical Edition

For the reader who wants the complete Time Machine, including earlier versions, alternate versions, contemporary criticism, later criticism, scientific texts which influenced H.G. Wells and much more, the Norton Critical Edition is the one to get.

No less than Jules Verne, and perhaps more so, it was Wells who put into motion the kind of science fiction which is still very relevant today to writer and readers; as you're reading this review, there are quite probably hundreds of authors writing novels, films or shows about time travel and less, but some, writing speculative treatises on how it could be possible. (The fact that it has already, to a certain extent, been proven possible by science since Wells wrote his novel, only verifies the validity of his art).

Having not read the novel before (only having seen two unfaithful film versions), I knew to expect some Swiftian class satire. I was unprepared, though, for the extent to which evolutionary theory weaves through the work. Although the book is largely known for its extrapolation on the possibility of time travel, it also draws its strength from another important sci-fi extrapolation, that of the antithesis of evolution: degradation or degeneration. (Reading both the novel and Wells' non-fiction theories on "de-evolution", it's easy to see the influence Wells' work had on the punk group Devo, who use the premise in their music; they also used similar ideas and phrases from Wells' The Island of Doctor Moreau.)

Wells' extrapolations on evolutionary degeneration are especially effective in scenes taking place at the far flung end of Earth's capacity to nurture life, when disturbing creatures (some of which might have devolved from humans) are barely alive under a close, sweltering sun. Neither of the film adaptations dared to go there.

The Norton Edition includes extra and alternate scenes, some of which are so potently memorable, it's a shame they weren't included in the novel. This "remix" version of the novel should be read by all Wells fans.

The criticism included in the book ranges from stupefyingly jargonistic to enlightening. The gender politics of Kathryn Hume result in farfetched sentences like these: "The Morlocks, by virtue of living in the dark and underground, seem first of all sinister, but secondarily are marked with symbolism of the unconscious and hence the feminine. Their access to the innards of the Sphinx reinforces the latter." Paul A. Cantor and Peter Hufnagel, on the other hand, successfully explain how The Time Machine draws upon and has a place in the imperialistic British fiction of the time.

For extracurricular reading, I suggest a theory of film critic Glenn Erickson. He has some insights into the book which may be on target and which I haven't seen addressed elsewhere: http://www.dvdtalk.com/dvdsavant/s43timetrav.html
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Tuesday, October 23, 2012

The Signifiers Plugged on SciFi Pulse!

Click here for a nice plug for The Signifiers #2 on the science fiction TV, comics and movie news site: http://scifipulse.net/2012/10/psychedilic-signifiers-return-in-new-comic-outing-from-michael-neno/
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