Showing posts with label WWII. Show all posts
Showing posts with label WWII. Show all posts

Saturday, August 3, 2024

Recently Read: Only What's Necessary: Charles M. Schulz and the Art of Peanuts, by Chip Kidd

 


Readers of Chip Kidd's 2001 Peanuts: The Art of Charles M. Schulz (or readers of any of Kidd's superlatively designed books) will know that Only What's Necessary: Charles M. Schulz and the Art of Peanuts is a must. Given access to the Charles M. Schulz Museum and Research Center, Kidd and photographer Geoff Spear present, chronologically, original sketches, pencils and inks never published before - revealing the cartoonist's working processes. Seeing close-ups of the original pencils, inks and white-out on textured paper is a revelation. Also included are WWII drawings, newspaper clippings and advertisements, drawings produced for friends, illustrated envelopes, comic book work, early comic strip series, promotional materials, abandoned dailies, letters and much more. This is essential for Peanuts fans.

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Friday, February 4, 2022

Recently Read: The Newsboy Legion, Vol. 1, by Jack Kirby and Joe Simon

 


The Newsboy Legion, created in 1942 for DC, may not be one of Jack Kirby's greatest comic book series (though don't count that out), but it's surely one of his most personal. The Legion are a kid gang trying to survive in a rotting tenement neighborhood called Suicide Slum, selling newspapers and trying to avoid mob activity as Kirby himself did growing up in the Lower East Side of Manhattan. Like the Legion, Kirby found camaraderie and support in a local boy's club (which still exists today) and the exploits of Tommy, Scrapper, Gabby and "Big Woids", juvenile delinquents under threat of being sent to reform school, were pure Kirby; he knew this world. The idealized figure of "copper" and advocate Jim Harper/The Guardian, an adult and part-time vigilante who not only cares about the kids but actively argues in court to protect them, has a poignancy that still resonates eighty years later. Kirby loved these characters so much, he brought descendants of the group back in the first issue he created of Superman's Pal Jimmy Olsen, when Kirby returned to DC in 1970.

Unlike his other WWII kid gang series for DC, the Boy Commandos, which could whimsically swerve into science fiction, the Newsboy Legion is grounded in the streets and a world of poverty (one scene of a sick lady in bed takes place in a run-down room quite like the one Kirby and his family lived in), though one story imagines what New York would be like if the Nazis took control of it (a real threat when these stories were being written and drawn).

The Newsboy Legion Vol. 1 covers half of the Legion stories created in the '40s. They're printed on wonderfully non-glare paper and, if slightly too dark in places, are perfectly readable. Kirby was drafted into the U.S. Army about halfway through the volume, and so the last stories in the volume reflect the inventory Kirby and partner Joe Simon were tasked by DC with creating, knowing that WWII drafting was imminent. Kirby has only partial involvement with the last story he draws in the book and a still awkward and green Gil Kane takes over for the last two stories. Vol. II continues with stories drawn by Kane, Joe Kubert and others until Kirby returned from the warfront.

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Tuesday, December 29, 2020

Recently Read: The Boy Commandos, Vol. 1, by Joe Simon and Jack Kirby

 


The Boy Commandos Vol. 1 is a much appreciated 250 pages of the first, chronological
Commandos stories created for DC by Joe Simon and Jack Kirby. Applying the kid gang concept to WWII, the series features kid representatives of several Allied countries, each with his own (somewhat annoying) accent.

As with Kirby's '70s WWII series, The Losers, Commandos uses WWII scenarios to tell a variety of human interest stories. One story begins with Nostradamus; another ten thousand years in the future (Kirby was often willing to employ his love for science fiction pulp in his work). Gangsters, a Japanese prisoner, a family curse, a pampered aristocrat and the French Underground are all used as story ideas; Simon and Kirby themselves make an appearance in "Satan Wears a Swastika", along with The Sandman and the Newsboy Legion.

The stories are smartly printed on non-glare matte paper, using the original colors. Much of the art is printed a little too dark, but is still preferable to modern re-coloring.

Like most comics of the period, the stories are of limited emotional resonance and can be formulaic (though Simon and Kirby, as seen above, mixed and mashed different story angles with more agility and experimentation than most). I read the book in two different sittings, giving my mind a rest with other readings. Any way you choose to read it, it's a good compilation of some of the better comics being produced at the time.
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Tuesday, November 11, 2014

Recently Read: The Quitter, by Harvey Pekar and Dean Haspiel

The Quitter is actually a story of resilience. One of the last stories autobiographical comics pioneer Harvey Pekar wrote, it covers his early, post WWII years as a son of Polish immigrants living in Cleveland. Illustrated by Dean Haspiel, The Quitter is, typically, brutally honest.

To an extent not previously explored, Pekar was a fighter and bully in his youth, resorting to violence as a means of earning respect he wasn't otherwise getting from his peers, with whom he didn't fit in. He also had a habit of quitting when situations got hard, feeling he had to either master a situation or remove himself from it. These two faults resulted in years of troubled frustration, continuing into adulthood. I won't reveal the emotional denouement. We all know, though, that writing jazz criticism and American Splendor became ways for Pekar to successfully express himself. The Quitter is a fitting bookend to Pekar's writing career.

Haspiel does heavy lifting in this dense, time and place-specific work. His bold, graphic B&W cartoony style is hard to pin down and describe; I see Harvey Kurtzman in it, John Romita Sr., Mazuchelli and Darwyn Cooke. It's a pleasing style with supple brushwork and expressive body language.
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Wednesday, April 9, 2014

Monster At the Institute, Chapter One Debuts Thursday, April 10th!



For nearly a year, I've been drawing Monster At the Institute, a story from author Jennifer Smither's The Outbreak. an alternative, post WWII horror story. The first chapter of Monster At the Institute debuts tomorrow, Thursday, April 10th at: jlsmither.com/comic

I'll also be passing out new, glossy promo postcards for the series this weekend at SPACE!
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