Showing posts with label Fletcher Hanks. Show all posts
Showing posts with label Fletcher Hanks. Show all posts

Sunday, May 16, 2021

Recently Read: You Shall Die by Your Own Evil Creation!, by Fletcher Hanks, Edited by Paul Karasik

 

Paul Karasik's You Shall Die By Your Own Evil Creation! has completed the task of collecting in book form all 51 of Fletcher Hanks' stories written and drawn for early '40s comic books - and what odd stories they are. Even taking into account that many of the better stories were published in Vol. 1, I Shall Destroy All The Civilized Planets, there's more than enough disturbing, outrageous and daring work here to entertain the most jaded comics reader - work full of anger, inadvertent humor, naïveté and creepiness. Most new Hanks converts flock to the outer space exploits of Stardust the Super Wizard and the unique weirdness of Fantomah, Mystery Woman of the Jungle, but my favorite Hanks work features the exploits of lumberjack Big Red McLane. How many nefarious competing lumberjack companies can there be to keep generating new plots? Hanks himself seemed to realize the limits of his formula when he sent McLane into the big city for a boxing saga at the tail end of his run.

WWII begins to make its way into many of Hanks' series towards the end of the book, when his stories, with page designs more commonplace, began incorporating fifth column saboteurs and red-blooded American boys ready to thwart them.

Karasik also writes a fascinating forward displaying Hanks' art school samples, includes Hanks' sad death certificate, and uses rare original Hanks artwork as endpapers. It's, all in all, a beautiful package, printed on non-glare paper and reproducing the original coloring. If you own the first volume, this second one's a must. If not - buy them both.

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Tuesday, January 3, 2017

Recently Read: Super Weird Heroes: Outrageous But Real!, edited by Craig Yoe


If 320 pages of obscure, mostly early '40s superhero comics sounds fun, Craig Yoe's Super Weird Heroes will float your boat. Most of the characters inside, including The Hand, Rainbow Boy, Kangaroo Man (and his kangaroo helper, Bingo) and Zippo, were created when the superhero template and formula was still being forged. This means crazier, more primal stuff than can usually be had in today's conglomerate-driven, team retreat-created
hero comics.

It's worth noting that these comics are generally weird, but not necessarily "bad"; a young John Buscema has a nicely drawn story represented, and Charles Voight's charming artwork for Jeep and Peep is a revelation. Yoe also prints an entire Fletcher Hanks Fantomah story from the original artwork. A Siegel and Shuster Funnyman story has the wrong first page attached, which just makes that story weirder.

There's more: Yoe introduces each story with a page or two of historical and biographical text. The cover logo is designed by the great Leslie Cabarga. The book is also printed on matte paper approximating old newsprint, so no light glare.

A second volume is advertised in the back of the book and I hope it arrives in 2017, as I can't say I've lived till I've read a "Twilight and Snoopy" story. Thanks to Jeff Cannell for the gift of this book!


 
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Saturday, February 28, 2015

Recently Read: Supermen! The First Wave of Comic Book Heroes 1936-1941

For those curious about the earliest days of superhero comics, when creators had the freedom to go wherever their whims took them and the formulas for the genre hadn't yet been written in stone, Fantagraphics Books has published a handy and hefty sampler of the era.

Shot from the original comics (no computer coloring here), Supermen! covers the spectrum from very obscure (Rex Dexter of Mars, Fero, Planet Detective, Yarko the Great) to seminal early work by Jack Kirby, Basil Wolverton, Jack Cole, outsider Fletcher Hanks and more. Greg Sadowski's notes in the back of the book give great historical context; I learned a lot about the various competing and overlapping comics publishers and editors during this primordial period.

Reading Supermen! can actually become depressing because nearly every story contained in the book is more fun, and utilizes more imagination and whimsy, than any superhero comic book on sale today. Inside these pages you'll find pulp-colored dreams, crazy acts of violence (by the heroes!), hallucinogenic imagery, and the promise and fulfillment of illicit, bizarre thrills. As many in The Sex Pistols' audience went on to start their own groups, these stories must have spurred the creative imaginations of hundreds of future creators.

I cannot recommend this book highly enough; it needs to be on the shelves of anyone who reads any superhero comics, as it contains examples of the original formation of the genre. One small complaint: the credits for the book design, so essential for a finely packaged collection of graphics, is squirreled away in small print on the last page of the book. Not cool, Fantagraphics.


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Monday, June 25, 2012

Lousy Copper!

From my Fletcher Hanks tribute story, Big Blue.
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Wednesday, April 18, 2012

Big Blue Homage to Fletcher Hanks

Drawing this one worsened my eyesight!
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Friday, July 15, 2011

Big Blue Rules the World

From Big Blue, a story written and drawn in homage to ol' Fletcher Hanks.
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